Review -

There are many types of drones. When we speak of drones, even just the drones that fall under the broad rubric of electronica or electronic music, we can be speaking of many things, all of them quite different from one another.

There are high-pitched squeals that seem to have dogs as their intended audience and that often speak to anxiety about technological creep. There are ambiguous swaths of field recordings that seek the underlying sonic narratives in everyday life. There are thin wisps closer to ether, soft sounds that speak of the alignment of spirits and electricity. These are among the many things that purveyors of drones and connoisseurs of drones call drones. And then there are the drones that the general public would recognize as drones: the thick, dirge-like, extended instances of ear-rumbling tone.

Such is "Wretched Seed," the penultimate track off Somnarium's recent release, The Fourth Presence, on the Dark Winter netlabel. It's a slow-moving mass of deathly solemnity -- and, for those not privy to the tastes of drone-listeners, that's a high compliment. It sounds as if video artist Douglas Gordon had taken the opening moments of the original Star Wars film, when the cruiser moves past overhead, and slowed them to the precise length necessary for the newly attenuated audio -- stretched like taffy, but all the darker for the effort - to serve as a backing score for a dramatic reading of Stanislaw Lem's novel Solaris.

Such is the intensity of Somnarium (aka Australian Michael Meara).

Review - Sonic Immersion

Somnarium's 50-minute "The Fourth Presence", inspired by the works of Dante and Lustmord, takes its listeners on an otherworldly trip into dense and darker spaces. The outcome are six free form pieces of headphone music with slow evolving, textural landscapes linked by processed guitar experimentations, featuring the occasional use of field recordings as source material including random radio static.

The spacious realm and slow but progressive alterations in the various sonic layers embedded within the slightly drony soundscape music keep things vibrant and interesting all the way. While immersing into the quite intense "The Fourth Presence" it almost seems the outskirts of the cosmos are lying just around the corner.

Michael Meara, aka Somnarium, did another fine job here.